Certain ‘minimalist’ poets have much to offer an age in which words are suspect. Levertov’s translations of Guillevic for example. Levertov herself wrestled with the problem of rhetoric. If in youth she absorbed some values from Williams, fair enough; her searching passionate nature plunged her into spiritual depths; sometimes the poems are ‘pure.’ The ambiguity of the term ‘pure poetry’ may have found a new context!
‘The Cat as Cat’ uses the basic narrative of lyric contemplation —- outside, inside, down/up (to riff on Augustine)—- to meditate the between world of her cat and herself (flesh/spirit). Themes—-metaphors, mirrors, I-Thou)—-appear briefly, suggestively. The poem concludes with a minimalist anthem lullaby.