Jane Clarke’s Reserve

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From Jane Clarke The River Bloodaxe 2015

Jane Clarke’s reserve is the pit of her power. From the comparison of The Shannon to a draughthorse in harness, the poem quietly, effortlessly, unfolds its mystery. The imagery reaches a climax with ‘drops fall in unison,’ and many a poet would end things there. But the image isn’t everything. And here we are blessed with a kind of revelation of form as disciplined sequence. The poetry of what happens has become a cliche. Here what happens is seen as a process experienced by those willing to follow the ‘master’ or so wonderfully here the heron into the day. We lean into experience, we ‘catch’ as the rhythm takes over, we pull back in yielding to the momentum and glide, we release.
Isn’t that what poets — what poems— do? Isn’t that the ‘inner form’ of the poetry that happens with and for us? Isn’t that fulfillment of the promise of flow in the best sense?
It’s a really good poem that makes new and vital some of mankind’s most intimate intuitions.

Author: Tom D'Evelyn

Tom D'Evelyn is a private editor and writing tutor in Cranston RI and, thanks to the web, across the US and in the UK. He can be reached at tom.develyn@comcast.net. D'Evelyn has a PhD in Comparative Literature from UC Berkeley. Before retiring he held positions at The Christian Science Monitor, Harvard University Press, Boston University and Brown University. He ran a literary agency for ten years, publishing books by Leonard Nathan and Arthur Quinn, among others. Before moving to Portland OR he was managing editor at Single Island Press, Portsmouth NH. He blogs at http://tdevelyn.com and other sites.

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