To reach Metaxyturn, where the participating consciousness becomes the site of agapeic otherness, the work of art goes through two stages. 1. Through dialectics reaching the abyss of the self on the edge of abyss/the divine passage (think Beckett). Here asymmetric relativity replaces the relativity of dialectic. Dialogue with otherness interrupts. 2. Witness. The overfullness of presence of the divine other’s passage in the between. Think Bonnefoy’s resolute fidelity beyond nihilism. Presence. Hope.
Published by Tom D'Evelyn
Tom D'Evelyn is a private editor and writing tutor in Portland OR and, thanks to the web, across the US and in the UK. He can be reached at email@example.com. D'Evelyn has a PhD in Comparative Literature from UC Berkeley. Before retiring he held positions at The Christian Science Monitor, Harvard University Press, Boston University and Brown University. He ran a literary agency for ten years, publishing books by Leonard Nathan and Arthur Quinn, among others. Before moving to Portland OR he was managing editor at Single Island Press, Portsmouth NH. He blogs at http://tdevelyn.com and other sites. View all posts by Tom D'Evelyn